Violencia, afecto y la promesa de reconciliación en el cine colombiano del nuevo milenio
Palabras clave:
Cine colombiano, Afecto, Violencia, Justicia, ReconciliaciónResumen
Este ensayo examina tres películas colombianas que exploran el afecto como una forma de articular modos alternativos de reconstrucción histórica en torno a la violencia. Al establecer un diálogo entre Rodrigo D, No futuro (1989) de Víctor Gaviria, La tierra y la sombra (2015) de César Augusto Acevedo y Matar a Jesús (2017) de Laura Mora, esta aproximación crítica a la violencia en el cine colombiano reciente traza la articulación de una resistencia ética y estética a abordar el pasado como pasado, es decir, como una dimensión que debe ser asimilada colectivamente como superada para inaugurar una nueva era de paz y prosperidad nacional.
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