Dr. Los puntos ciegos en el gran plano: algunos problemas en lo visual y lo ideológico en Roma de Alfonso Cuarón.
Palabras clave:
Mexico, Visual, Ideology, Gender, Race, HistoryResumen
Este artículo analiza el transfondo ideológico que reflejan los recursos visuales de Alfonso Cuarón en la película Roma. Se analiza principalmente el aspecto de las tomas largas, el plano amplio y el uso del blanco y negro. Se discute la manera en la que estos elementos visuales son problemáticos en la representación que Cuarón intenta hacer de la raza, el género y los eventos históricos.
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