Los puntos ciegos en el gran plano: algunos problemas en la representación visual de la violencia, la raza y el género en Roma de Alfonso Cuarón
Keywords:
Mexico, Visual, Ideology, Gender, Race, HistoryAbstract
This article analyzes the ideological background reflected on the visual artifacts used by Cuarón on the film Roma. It is analyzed principally the long-take and the wide shots, as well as the use of the photography in black and white. I am discussing here how this visual elements are problematic in relation to the representation that Cuarón claims to make of the race, gender and the historical events.
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