Subjetividades postsocialistas y mercados transnacionales de la nostalgia en <em>La Neblina del ayer</em> de Leonardo Padura Fuentes
Palabras clave:
Cuban literature, Leonardo Padura Fuentes, Postsocialismo, Subjetividades postsocialistas, Nostalgia, Buena Vista Social ClubResumen
En este artículo se analiza la novela La neblina del ayer (2005), del escritor cubano Leonardo Padura Fuentes, como un falso policial. Se propone que más que concentrarse en la resolución de un crimen, el texto explora las formas de subjetividad emergentes en Cuba tras la crisis del modelo socialista, así como los mecanismos surgidos para afrontar las cambiantes condiciones de la isla. Específicamente, este trabajo se concentra en la relación del protagonista Mario Conde con los discursos de la nostalgia, comparando la estrategia narrativa de la novela con la del documental Buena Vista Social Club. Sin embargo, si bien dialoga con la película, Padura ofrece una perspectiva mucho más ambigua y menos celebratoria del pasado prerrevolucionario.
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