Una poética de la sensibilidad. José María Arguedas y la invención de la cultura andina

  • Martín Oyata University of Vermont
Palabras clave José María Arguedas, race, class, Romanticism
Palabras clave José María Arguedas, race, class, Romanticism

Resumen

This article posits that Andean culture properly emerged as a literary and intellectual problem in Peru with José María Arguedas, as his work marked a departure from the issues of race and class that had been the focus of classic Indigenism. This turn, realized in his novel Yawar Fiesta (1941), is defined by a poetics of sensibility akin to Romanticism in which culture becomes a space that preserves a group’s identity. In conceiving of sensibility as a collective faculty that creates and maintains a sense of belonging, Arguedas is able to enclose the highland Indians in a hermetic space, thus bringing to the fore the question of the viability of Andean culture that was unknown until then.

Biografía del autor/a

Martín Oyata, University of Vermont
Assistant professor of Spanish, Department of Romance Languages
Publicado
2014-01-31
Sección
Artículos / Articles