Así fue: Anti-colonial Narrative in Alejo Carpentier's Concierto barroco and Reinaldo Arenas’s El mundo alucinante

Autores/as

  • Sophia A. McClennen Penn State University

Palabras clave:

Colonialism, Anti-colonialism

Resumen

Analysis of anti-colonial narrative in Alejo Carpentier's and Reinaldo Arenas' novels.

Biografía del autor/a

Sophia A. McClennen, Penn State University

Sophia McClennen is Associate Professor and Co-Director of Graduate Studies in Comparative Literature at Penn State University. She writes on Latin American literature and film and critical theory. Her first book, The Dialectics of Exile: Nation, Time, Language and Space in Hispanic Literatures (Purdue University Press) was published this fall (2003). Her second book, Ariel Dorfman: An Aesthetics of Hope, is forthcoming from Duke University Press.

Cómo citar

McClennen, S. A. (2011). Así fue: Anti-colonial Narrative in Alejo Carpentier’s Concierto barroco and Reinaldo Arenas’s El mundo alucinante. A Contracorriente: Una Revista De Estudios Latinoamericanos, 1(1), 51–81. Recuperado a partir de https://acontracorriente.chass.ncsu.edu/index.php/acontracorriente/article/view/74

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Artículos / Articles