El textil como asunto de Estado: artes decorativas e industria en Argentina (1910-1927)
Palabras clave:
Argentina, Artes decorativas, Arte y artesanía, Industrias artísticas, Tejedoras, TextilResumen
Este artículo profundiza en el mundo de los textiles artísticos en Argentina durante las primeras décadas del siglo XX, con el objetivo de explorar su desarrollo desde la perspectiva de la historia cultural, social y laboral. El enfoque adoptado busca establecer conexiones entre las perspectivas teóricas de la época, la educación artística y técnica, y la promoción de industrias artísticas. Aunque se considera la influencia del Estado Nacional en el fomento de las artes, este estudio también arroja luz sobre diversos individuos que desempeñaron roles fundamentales en diferentes proyectos textiles.
La exploración incluye un examen de figuras clave, como Clemente Onelli, fundador de escuelas y director de una fábrica textil, cuyas contribuciones fueron fundamentales en la activación de los textiles. Además, el artículo investiga las iniciativas de las mujeres asociadas con la Liga Patriótica Argentina, centrándose en sus esfuerzos para organizar exposiciones de tejidos. Además, explora el papel significativo de tejedores y artesanas de diversas provincias argentinas.
En esencia, esta investigación busca descubrir la intrincada red de conexiones entre el discurso teórico, las iniciativas educativas y las actividades de individuos clave en el ámbito de los textiles durante este período. Al examinar las contribuciones de varios actores, incluidos aquellos asociados con el Estado Nacional, escuelas e industrias artísticas, el estudio tiene como objetivo revelar las tensiones subyacentes y las jerarquías relacionadas con la clase y el género que dieron forma a la evolución de los textiles artísticos en Argentina.
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