Residencia temporera: erotismo cíclico en Pablo Neruda
Palabras clave:
Neruda, erotismo, sexo, transgresión, Residencia en la tierra, circularidadResumen
Este artículo examina el erotismo en el poemario Residencia en la tierra de Pablo Neruda, específicamente la "Primera Residencia”, publicada en 1933. Distanciándose de interpretaciones que se basan en la supuesta enajenación del poeta durante sus estancias diplomáticas en Birmania y Sri Lanka, este análisis se enfoca en cómo Neruda construye un erotismo cíclico donde se repiten determinadas etapas en sus relaciones con distintas mujeres, amadas ausentes y amantes presentes. El acercamiento al erotismo se basa en las teorías de Georges Bataille y René Girard y muestra cómo esta versión del discurso erótico se fundamenta en el deseo como transgresión y desplazamiento. Con este tipo de erotismo, Neruda instrumentaliza el contacto con el otro como un canal para el autodescubrimiento. La relación erótica se convierte en un proceso de crear máscaras para su persona poética a través de la adopción de variados roles en sus relaciones sexuales e íntimas con mujeres en el texto.
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