Visualidades, afro-descendencia y políticas de la representación en Colombia. Violencia simbólica y lucha por la representación
Palabras clave:
Chocó, La Playa, Visualidades, Humanidades digitales, Colombia, Afro-ColombiaResumen
El artículo discute tres piezas visuales (dos películas y una pieza digital) centradas en la representación de sujetos afrocolombianos. Centrado en la idea de visualidad como proceso que requiere una descolonización epistémica, el artículo sugiere que la industria del cine continúa desarrollando representaciones que no muestran la complejidad y diversidad de sujetos afrocolombianos. A través del análisis de películas como Chocó (2012) y de La Playa D.C. (2013), el artículo muestra cómo estos largometrajes siguen perpetuando estereotipos sobre los afrocolombianos basados en una concepción colonial e ilustrada del mundo. Por el contrario, la pieza digital Un caso de Reparación y humanidades digitales (2015) logra proponer una reorganización epistémica a partir de la cual desafía la forma en la que la nación (basada en una visión colonial) ha creado una matriz de representación a partir de la cual lo afrocolombiano ha sido invisibilizado. Finalmente, el artículo considera que es la falta de una confrontación epistémica profunda la que se establece como punto de partida para perpetuar la violencia simbólica desde la cual la nación ha imaginado lo afrocolombiano.
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