Tres narrativas sobre los guardianes de los archivos de la violencia.
Palabras clave:
Human Rights, Violence, Archive, Héctor Abad Faciolince, Roberto Burgos Cantor, Juan Gabriel VásquezResumen
Este artículo analiza la interacción entre la literatura y la formación contemporánea de archivos de violaciones graves a los derechos humanos y al derecho internacional humanitario. Para este fin, conectamos definiciones del archivo en las iniciativas transicionales en Colombia con aquellas propuestas por Jacques Derrida en Archive Fever y, en particular, con la doble definición de archivo: como compendio de originales y como lugar de residencia donde se resguarda y organiza el archivo de acuerdo a una noción de orden. Nos concentramos en cómo tres narrativas contemporáneas (“Un poema en el bolsillo” de Héctor Abad Faciolince -2009-, La ceiba de la memoria de Roberto Burgos Cantor -2007- y La forma de las ruinas de Juan Gabriel Vásquez - 2015) incorporan en su obra reflexiones sobre palabras, imágenes y sonidos guardados en diferentes tipos de archivos de violencias en Colombia. Este artículo estudia cómo estas narrativas usan rastros escritos, visuales y fónicos para definir diferentes visiones del guardián del archivo, y para representar cómo estas visiones contienden entre sí.
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