Medios y archivos de la memoria en los documentales sobre los desaparecidos de Ayotzinapa
Palabras clave:
documentales, memoria digital, imagen digital, imagen de archivo, caso Ayotzinapa, México, memoria de los desaparecidosResumen
Este artículo se interesa en los valores que reciben las imágenes digitales en los documentales sobre el caso Ayotzinapa, focalizándose en las imágenes preexistentes o de archivo que sirven para documentar y recordar la noche de Iguala y los 43 estudiantes desaparecidos. El estudio, basado en un amplio corpus de filmes de formatos variados, sigue dos objetivos estrechamente vinculados: (1) analizar qué imágenes se erigen en archivos (o sea, soportes de memoria y fuentes para la historia), desde qué estrategias, y en relación a qué referencias históricas; (2) aclarar el estatuto mnemónico que reciben las imágenes digitales de archivo en relación con las no digitales, en referencia a las lógicas aparentemente opuestas de la inscripción y de la diseminación. El análisis permite esclarecer algunos mecanismos mediáticos de la memoria (audiovisual y digital) del caso Ayotzinapa, donde las nociones de autenticidad y de persistencia resultan centrales.
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