Sustainability at the Margins: Avant-Garde Cinema and the Environment in Rogério Sganzerla’s cinema do lixo

Authors

  • Fernando Beleza Newcastle University

Keywords:

Sustainability, avant-garde, Brazilian cinema, cinema do lixo, Sganzerla

Abstract

The short-lived but influential Brazilian cinema do lixo has so far been neglected by critics working in the fields of ecocriticism and Latin American cinema. This paper offers an ecocritical reexamination of a relevant example of cinema do lixo, The Red Light Bandit, by Rogério Sganzerla, from its context of production in São Paulo to its radical aesthetic experimentation. It proposes that Sganzerla’s cinema do lixo reveals an environmental politics that calls for a reconsideration of the relationship between the avant-garde and environmentalism in Brazilian culture, as well as to a rethinking of cinema do lixo’s place in the making of contemporary environmental imaginaries in Brazilian cinema. Moreover, it discusses the relevance of its aesthetics of sustainability for ongoing debates on the relationship between cinema, the avant-garde, and the environment in Latin America, and Brazil in particular.

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Published

2020-02-10

How to Cite

Beleza, F. (2020). Sustainability at the Margins: Avant-Garde Cinema and the Environment in Rogério Sganzerla’s cinema do lixo. A Contracorriente: Una Revista De Estudios Latinoamericanos, 17(2), 182–198. Retrieved from https://acontracorriente.chass.ncsu.edu/index.php/acontracorriente/article/view/2028

Issue

Section

Dossier: A Sustainable Future for Latin America?