El puente del horror: imagen dialéctica y soberanía en La casa del dolor ajeno de Julián Herbert
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Julián Herbert; México; narrativa mexicana; La casa del dolor ajeno; acumulación capitalista; matanzaResumen
La casa del dolor ajeno (2015) de Julián Herbert pone en escena imágenes dialécticas que desactivan las narrativas desarrollistas y sacrificiales de la historia. Por medio del choque entre tiempos históricos distantes, el libro de Herbert revela la matanza de chinos en Torreón a principios del siglo XX como un punto en una serie histórica de largo alcance que se sostiene en el nudo inextricable entre raza, soberanía y acumulación capitalista. La destrucción de cuerpos y territorios, el estado de excepción permanente y la constante acumulación primitiva se presentan como los ejes que han sobredeterminado el acontecer histórico en México y en el mundo. El relato de la matanza de chinos se convierte así en una reflexión sobre las continuidades -y también las transformaciones- de las violencias inherentes en el proceso de modernización a escala planetaria.
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