La memoria como profanación y como pérdida: comunidad, patrimonio y museos en contextos poscoloniales
Palabras clave:
memoria, patrimonio, pérdida, comunidad, museoResumen
En este trabajo intento una crítica a la noción de diferencia cultural como portadora de autenticidad y de una eventual memoria original. A partir del trabajo específico en museos comunitarios de México, analizo de qué manera en contextos poscoloniales los procesos de patrimonialización suelen funcionar para clausurar conexiones locales de memoria. Finalmente, intento un análisis sobre cómo la noción de patrimonio vinculada a la exhibición y a la “recuperación”, es contrapuesta por los actores a la noción de pérdida (en tanto despojo y exclusión).
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