Escritura sobre ruinas: Augusto Roa Bastos, la trilogía paraguaya y el acontecimiento en <em>Hijo de hombre</em>
Palabras clave:
Roa Bastos, literatura paraguaya, monoteísmo del poder, soberanía, historia, ruina, yerbales, insurrección, acontecimiento.Resumen
Augusto Roa Bastos sugirió en diferentes ocasiones que su notable trilogía paraguaya, compuesta por Hijo de hombre, Yo el Supremo y El fiscal, constituía una reescritura del proceso histórico paraguayo y una reflexión sobre el “monoteísmo del poder”, una expresión que hace eco del concepto de soberanía. La trilogía aborda eventos históricos definitorios de la modernidad paraguaya, entre ellos los regímenes autoritarios del siglo XIX, la Guerra de la Triple Alianza, la explotación de los yerbales, la Guerra del Chaco y los últimos años de la dictadura stronista. Partiendo de los pronunciamientos de Roa Bastos sobre el sentido y los temas de la trilogía, y centrando el análisis principalmente en Hijo de hombre, este trabajo sostiene que el proyecto de la trilogía asume la forma de una “escritura sobre ruinas” que simultáneamente expone y cuestiona la relación entre soberanía e historia en Paraguay. Para ello, se propone considerar la noción de “acontecimiento” como una perspectiva adicional del proyecto roabastiano.
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