Unbecoming Nadie: Feminism and the Epistolary Form in María Lourdes Pallais’s Novel La carta (1996)
Keywords:
María Lourdes Pallais; La carta; epistolary fiction; letter writing genre; post-war Nicaraguan literature; disenchantment; testimony; Nicaraguan feminismAbstract
The “post-war” period of the 1990s in Central America has been marked by disenchantment and re-appropriation of the testimonial form. In this article, I argue that María Lourdes Pallais’s novel La carta (1996) combines these narrative tendencies in order to criticize the Nicaraguan Sandinista revolutionary project while advancing an autonomous feminist ideology, a reading that is sustained by the work’s epistolary form. Through the analysis of the letter-writing genre, we thus gain access to an interpretation of the novel that reframes the protagonist, Claudette, as a voice that questions authority, knowledge, and manipulation as discursive tactics that maintain society’s hegemonic status quo rather than as a victim of patriarchal politics.
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