La memoria generacional al banquillo de la parodia: repolitizar el campo de las memorias en el Chile democrático
Keywords:
desacato, transición, democracia, parodia, ironía, memoria, medios de comunicación, Salvador Allende, Chile, Plan Z, ideología, Felipe Rivas San MartínAbstract
En este artículo me ocupo del periodo comprendido por los dos primeros gobiernos de la Concertación en Chile (1990-98) y el primer periodo en La Moneda de la derecha en la postdictadura. Prescindiendo de la continuidad temporal, me remito a resaltar narrativas mediáticas y artísticas —el programa de televisión Plan Z del canal Rock&Pop y el trabajo visual y performático de Felipe Rivas San Martín— en las que el memorial histórico colectivo es re interpretado por operadores culturales –los hijos de la post dictadura– en algo que llamaré una “escena del desacato”. Dicha escena, perteneciente al momento de la disidencia y la parodia, está marcada por la presencia polémica y renovada de esta generación en la esfera y debate públicos, dando por finalizada la reclusión simbólica y social sufrida a manos de sus progenitores, las generaciones de los 60 y 70. El trabajo de herencia imaginaria y su toma de posesión legítima se completa en el discurso, en la calle, los medios y la red.
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