Imposibilidades posibles: Más allá de los medios masivos en César Aira y Mario Bellatin
Keywords:
César Aira, Mario Bellatin, medios masivos, vanguardia, descolonización, telenovela, historieta, fotografíaAbstract
Este ensayo examina la forma en que las novelas La mendiga (1998) y Las aventuras de Barbaverde (2008), de César Aira, y Perros héroes (2003) y Los fantasmas del masajista (2009), de Mario Bellatin, problematizan la representación de los medios masivos que se encuentra en cada texto. Sugiero que el manejo de la cultura de masas dentro de estas producciones textuales sirve para escenificar lo que llamo una sensibilidad mediática que simultáneamente cuestiona y potencializa los medios masivos representados en el texto. Para ello, empleo un acercamiento teórico que combina una lectura estética basada en los trabajos de Walter Benjamin con la perspectiva social descolonialista de Walter Mignolo. En última instancia, propongo que los experimentos vanguardistas de Aira y Bellatin, aun sin un proyecto político fijo, proponen salidas de los paradigmas culturales dominantes – una descolonización de la percepción que se re-apropia de las herramientas estéticas y racionales de Occidente y las manipula a su gusto. Estos proyectos se llevan a cabo, paradójicamente, en la época posmoderna donde la provocación socio-política supuestamente se ha vaciado de significados.
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