Así fue: Anti-colonial Narrative in Alejo Carpentier's Concierto barroco and Reinaldo Arenas’s El mundo alucinante

Authors

  • Sophia A. McClennen Penn State University

Keywords:

Colonialism, Anti-colonialism

Abstract

Analysis of anti-colonial narrative in Alejo Carpentier's and Reinaldo Arenas' novels.

Author Biography

Sophia A. McClennen, Penn State University

Sophia McClennen is Associate Professor and Co-Director of Graduate Studies in Comparative Literature at Penn State University. She writes on Latin American literature and film and critical theory. Her first book, The Dialectics of Exile: Nation, Time, Language and Space in Hispanic Literatures (Purdue University Press) was published this fall (2003). Her second book, Ariel Dorfman: An Aesthetics of Hope, is forthcoming from Duke University Press.

How to Cite

McClennen, S. A. (2011). Así fue: Anti-colonial Narrative in Alejo Carpentier’s Concierto barroco and Reinaldo Arenas’s El mundo alucinante. A Contracorriente: Una Revista De Estudios Latinoamericanos, 1(1), 51–81. Retrieved from https://acontracorriente.chass.ncsu.edu/index.php/acontracorriente/article/view/74

Issue

Section

Articles / Artículos