When Photography Errs. A Review of Esther Gabara's <em>Errant Modernism: The Ethos of Photography in Mexico and Brazil</em> (Durham, NC and London: Duke UP, 2008)
Keywords:
ethos, photography,Abstract
The academic study of photography more generally, and the photography of Latin America in particular, took off in the last decades of the twentieth century, and is thriving in the twenty-first. From the early efforts to establish the field, such as Victor Burgin’s Thinking Photography (1982) and John Tagg’s The Burden of Representation (1988), through Liz Wells’ student guide, Photography: A Critical Introduction (originally published in 1997 and now in its fourth edition), aided and abetted by the rise of visual culture studies, photography has overcome its Cinderella status to become a legitimate object of academic analysis.
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