Escribir, ocuparse del mundo: el mandala de Clarice Lispector
Entre la enseñanza, la investigación, y la traducción, la escritura de Clarice Lispector revela no solo la paciente transmutación de su literatura a lo largo de las décadas, sino también cuánto su escritura anticipó, y se insertó, en toda una transformación más general del estatuto de la literatura y de la cultura en el Brasil de las décadas de 1970 y 1980. Este trabajo toma Água viva y sus dos manuscritos como laboratorio de una forma de escritura radical que mejor se define, en los términos de Lispector, como un modo de “ocuparse del mundo”.
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