Prácticas discursivas y espaciales gayas en El vampiro de la colonia Roma de Luis Zapata
Keywords:
heteronormativity, textualization, disidentification, counterpublics, spatiality, Mexico, homosexualityAbstract
Diez años después de la matanza de Tlatelolco, en 1978, el Frente Homosexual de Acción Revolucionaria decide “salir del closet” y formar parte de las demostraciones a favor de la Revolución Cubana y de la conmemoración del décimo aniversario del 2 de octubre. No obstante, es hasta 1979 cuando se celebra por primera vez la “marcha gay” más antigua de Latinoamérica (Torres-Ortiz 1996, 55), la cual inaugura la aparición pública de la homosexualidad en el México moderno. Las aventuras, desventuras y sueños de Adonis García, el vampiro de la colonia Roma de Luis Zapata surge, por tanto, en un momento de redefinición y transición en la sociedad mexicana. Ganadora del Premio Nacional de Novela Juan Grijalbo en 1978 y publicada en 1979, la obra de Zapata nos sumerge en el mundo de Adonis García, protagonista y narrador único en la novela, para recorrer el submundo de un vampiro urbano, caracterizado por una adolescencia prematura, el trabajo sexual, la drogadicción, las enfermedades venéreas, el hastío, y el alcoholismo; pero también por la proliferación de espacios alternativos urbanos (Ruiz 1999, 329). Zapata, por consiguiente, reinserta el latente tema de la homosexualidad dentro del imaginario nacional.
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