Tedio y banquete: “cansancio histórico”, pre-reconciliación y cubanía en las novelas de Leonardo Padura
Keywords:
Latin American Cultural Studies, Literature, Criticism, Latin American History, Latin American Politics, Marxism, Socialism, CommunismAbstract
A través del análisis de varias novelas de Leonardo Padura y de la película Regreso a Ítaca, inspirada en su libro La novela de mi vida, de Laurent Cantet, examino procesos que en el contexto cubano actual diseñan una pre-reconciliación nacional, urdida a través de la exaltación de una cubanía viril y anquilosada. Interpreto estas estrategias narrativas de Padura como gestos reminiscentes de los procedimientos tribales y de los ceremoniales que para el grupo Orígenes, durante la primera mitad del siglo XX, resultaban esenciales para fomentar la coral cubana y aferrarse –frente a la enajenación que les provocaba el presente- a una presunta inmanencia escondida dentro de la historia insular. Al analizar la pre-reconciliación nacional también resulta indispensable examinar el concepto de “cansancio histórico” presentado por algunos personajes de Padura. Estudio, particularmente, como la desilusión vehiculada por este concepto responde a la interpretación de la Historia del autor, en relación con la desarrollada por Alejo Carpentier en sus recreaciones novelísticas de las revoluciones.
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