Escuálidos y conmovedores: nuevas subjetividades urbanas en la obra de Leonardo Padura
Keywords:
Padura, Urban Tribes, Public Realm, Empathy, CubaAbstract
La obra del escritor cubano Leonardo Padura es conocida por el uso de la novela negra como vehículo para adentrarse en conflictos sociales y humanos de mayor escala que, a la vez, han funcionado como crónicas de la sociedad cubana pos-soviética. Este artículo retoma esta faceta en la narrativa de Padura, centrándose en el análisis de la representación de las tribus urbanas habaneras de inicios del siglo XXI en la novela Herejes. Estableciendo un diálogo entre acercamientos teóricos al fenómeno sociológico y cultural de las tribus urbanas posmodernas, la conceptualización del espacio urbano como escenario para el florecimiento de una esfera pública participativa, y estudios de corte neurocientífico y filosófico sobre la empatía en el contexto de las relaciones interculturales, el artículo propone que, en Herejes, la empatía funciona como elemento catalizador para la legitimación moral, social e histórica de las tribus urbanas. Como consecuencia, el presente análisis sugiere que la novela de Padura destaca el valor estos grupos subculturales como estructuras alternativas de socialización en la Cuba contemporánea y como agentes de cambio y de reanimación de la esfera pública.
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