Nostalgia fílmica y celebración literaria: Dos perspectivas de <em>La guagua aérea</em> puertorriqueña
Keywords:
Identity, Luis Rafael Sanchez, Luis Molina Casanova, guagua aerea, cine, Puerto Rico, colonia, Estado Libre Asociado, migracion, Caribe, nacion, Caribbean Cultural Studies, Cinema Studies, Latin American Cinema, Latin American Cultural StudiesAbstract
En 1983, Luis Rafael Sánchez publicó su crónica “La guagua aérea”, en la cual describía el ir y venir puertorriqueño de Puerto Rico a Estados Unidos y cómo este movimiento moldeaba la identidad isleña. Entre jocosidad y seriedad, Sánchez logra capturar los conflictos y las resoluciones de una identidad movible y transportable. Luis Molina Casanova dirige y produce su versión de “La guagua aérea” en 1993. Su metáfora, sin embargo, choca con la propuesta de Sánchez, al anclar la identidad puertorriqueña a símbolos y discursos nacionalistas que no permiten ni la movilidad ni la reflexión, sino que provocan un profundo pesar sobre el futuro isleño. El propósito de este artículo es analizar y contrastar el film con la crónica de Sánchez con el fin de poner en evidencia las estrategias fílmicas y literarias que construyen una “guagua aérea” y una identidad tanto nostálgica como celebratoria.
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