En torno al primer narcocorrido: arqueología del cancionero de las drogas
Keywords:
narcocorrido, drug war, narcotráficoAbstract
Al término de la primera década del siglo XXI y cuando es virtualmente imposible abrir un periódico mexicano —atómico o virtual— sin encontrar alguna noticia de la llamada guerra contra el narcotráfico, es particularmente importante meditar sobre el producto más tangible de la llamada narcocultura; me refiero, por supuesto, al narcocorrido. Presentadas como causas y no como consecuencias de un fenómeno, estas canciones son percibidas por el Estado mexicano como otro frente en su lucha contra el narcotráfico. Por tanto no resulta sorprendente que surjan esfuerzos lo mismo a nivel federal como estatal y municipal para coartar su producción y diseminación. Estas iniciativas oficialistas no sólo incluyen su prohibición en radiodifusoras o transportes públicos sino también lo que a todas vistas es una campaña de intimidación para los grupos e intérpretes del género que ofrecen presentaciones personales. Este ensayo discute la historia y evolución de este género en el contexto institucional, social y cultural.
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