Retoques transatlánticos: la “enfermedad del ensueño” en <em>Los raros</em> de Rubén Darío
Keywords:
Estudios Transatlánticos, Literatura Mundial, Darío, Lautréamont, Nietzsche, Crisis.Abstract
Este artículo explora el perfil del Conde de Lautréamont que Rubén Darío describe en sus libros Los raros, con un enfoque en las polémicas sobre los estudios transatlánticos y el debate de ideas entre ambos lados del océano. Se propone una perspectiva nietzscheana, con la individualidad de lo apolíneo y la universalidad de lo dionisíaco, en especial en el sentido de la musicalidad de las obras poéticas de Darío y Ducasse. Tomando en cuenta las teorías literarias de Franco Moretti y de Julio Ortega, además de las críticas de Abril Trigo, el poeta se proyecta como un modelo de lo transatlántico como un negociador de paradigmas unificadores y al mismo tiempo divergentes.
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