Escribo Rap con R de Revolución: Hip-hop y subjetividades populares en el Chile Actual (2006-2013)
Palabras clave:
Latin American Cultural Studies, Social History, Marxism, Latin American HistoryResumen
El presente trabajo es un estudio sobre la relación entre hip hop y subjectividad popular en Chile durante el último ciclo de movilizaciones sociales que se inicia en el 2006 con la “Revolución de los pingüinos” (las protestas de estudiantes de secundarios), llega a su cúlmen con las masivas protestas de estudiantes universitarios en 2011 y se cierra con la elección de Michel Bachelet en 2013. El ensayo arguye que la autoproducción de hip hop constituye uno de los lugares privilegiados para la emergencia de la subjetividad popular, especialmente la de los jóvenes de los barrios pobres de Santiago. Esta subjetividad se apropia del lenguaje diaspórico del hip hop y se articula contra las políticas de muerte del Estado y sus aparatos represivos (necropolíca) a traves de una lógica populista propia, pero también se propone como una forma de producción cultural autónoma y una fuerza contrahegemónica que aspira a transcender los estrechos límites de la democracia liberal en Chile.
Asimismo, el texto explora la sunjetividad de estos artistas de hip hop como un modo específico de masculinidad que rechaza los ribetes misóginos del hip hop producido en otras latitudes, aunque, al mismo tiempo, excluye de sus políticas de fraternidad tanto a las mujeres como a las sexualidades disidentes.
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