Sonidos de la modernidad: primitivismo y nación en Brasil y Argentina. Reseña de <em>Modernidades Primitivas: Tango, samba y nación</em> de Florencia Garramuño (Buenos Aires: Fondo de Cultura Económica, 2007)

Authors

  • Silvia L. López Carleton College

Keywords:

Argentina, tango, samba, modernity

Abstract

Reseña de Modernidades Primitivas: Tango, samba y nación de Florencia Garramuño (Buenos Aires: Fondo de Cultura Económica, 2007).

Author Biography

Silvia L. López, Carleton College

http://tools.chass.ncsu.edu/open_journal/public/site/images/sfsotill/230232_tn_125Silvia L. López (Ph.D. in Comparative Literature from University of Minnesota) teaches XIX century Latin American literature at Carleton College. Her main areas of interest are literary and social modernity in Latin America, cultural and critical theory, and the Frankfurt School. Her research focuses on cultural theory and criticism and she has published articles on Adorno, Lukács, Benjamin, Garcia Canclini, Schwarz, Dalton and Argueta. Together with Christopher Chiappari, she translated Néstor Garcia Canclini's Hybrid Cultures: strategies for entering and leaving modernity. She edited a special issue of Cultural Critique (Fall 2001) titled Critical Theory in Latin America. Currently she is finishing a book of essays entitled "Frankfurt Minima: essays in aesthetics and culture".

Published

2013-01-31

How to Cite

López, S. L. (2013). Sonidos de la modernidad: primitivismo y nación en Brasil y Argentina. Reseña de <em>Modernidades Primitivas: Tango, samba y nación</em> de Florencia Garramuño (Buenos Aires: Fondo de Cultura Económica, 2007). A Contracorriente: Una Revista De Estudios Latinoamericanos, 10(2), 430–433. Retrieved from https://acontracorriente.chass.ncsu.edu/index.php/acontracorriente/article/view/684

Issue

Section

Reviews: Populism and Modernity in South America