Hacia una nueva ética y estética de la memoria en el cine documental argentino: <em>El predio</em> (2010) de Jonathan Perel

Authors

  • María Guadalupe Arenillas Northern Michigan University

Keywords:

Argentine Film, Memory Studies, Memory Sites, Criticism

Abstract

Durante la última dictadura militar argentina (1976-1983), operó en el Casino de Oficiales de la Escuela de Mecánica de la Armada (ESMA) un centro clandestino de represión, tortura, exterminio y apropiación ilegal de menores. Por éste pasaron alrededor de cinco mil detenidos, de los cuales solamente doscientos sobrevivieron. En la actualidad, la ESMA funciona como “Espacio para la Memoria y Promoción de los Derechos Humanos.” Después de realizar un breve recorrido por las diferentes posturas que se han dado en las últimas décadas sobre el destino de la ESMA, este trabajo analiza la película El predio (2010) de Jonathan Perel (1976-), y el papel que este cineasta, que no vivió en forma directa las consecuencias de la represión, le adjudica al espacio. En su película, Perel sigue la tendencia de alejarse del género testimonial inaugurada en Los rubios (2003) de Albertina Carri, señalando la presencia del pasado en las nuevas generaciones. Con un documental que carece de voz en off, y de hondas o superfluas disquisiciones discursivas sobre el pasado, Perel se aleja de un modelo de memoria basado en testigos directos y filiaciones de sangre, para interrogar al espectador sobre el alcance y las posibilidades de este espacio de memoria en el presente.

Author Biography

María Guadalupe Arenillas, Northern Michigan University

María Guadalupe Arenillas is Assistant Professor in the Department of Modern Languages and Literatures at Northern Michigan University. She holds a Ph.D. in Latin American Literature from the University of Notre Dame, awarded in 2010. In 2009, she spent a year as a pre-doctoral fellow at the University of California, Davis. Dr. Arenillas’ main research projects are on memory in the Southern Cone. She is the co-editor of the new series Memory Politics and Transitional Justice(Palgrave McMillan) and has published in national and international journals.

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Published

2013-05-31

How to Cite

Arenillas, M. G. (2013). Hacia una nueva ética y estética de la memoria en el cine documental argentino: <em>El predio</em> (2010) de Jonathan Perel. A Contracorriente: Una Revista De Estudios Latinoamericanos, 10(3), 371–388. Retrieved from https://acontracorriente.chass.ncsu.edu/index.php/acontracorriente/article/view/461

Issue

Vol. 10 No. 3 (2013): Spring 2013

Section

Articles / Artículos

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