La imagen de escritor de Raúl González Tuñón, de los años sesenta a los treinta: relaciones entre literatura y política
Keywords:
Raúl González Tuñón, nueva izquierda, Relaciones entre literatura y política, imagen de escritor, campo intelectual, vanguardiaAbstract
Este artículo busca analizar la imagen de escritor que los jóvenes de la nueva izquierda argentina de los años sesenta, nucleados en el grupo de poesía “El pan duro” y en la revista y empresa editorial “La rosa blindada”, construyen de Raúl González Tuñón como “maestro” y “poeta de la revolución”. El propósito es desentrañar el porqué de esta elección y los modos en que esta imagen es productiva tanto para el proyecto de legitimación de las prácticas de estos jóvenes como para las del mismo González Tuñón, quien, por esos años, retoma muchos de los caminos de su poesía inicial ligada a la vanguardia. En este sentido, el artículo indaga las modalidades que reviste este rescate de la figura de Tuñón, es decir, qué recortes y selecciones operan en la construcción de esa imagen; para, a partir de allí, repensar la práctica poética e intelectual tuñoneana desde los años 30 hasta los 60.
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