Foto y letra: Encrucijadas en el siglo XIX latinoamericano. Reseña de <em>El tiempo de la máquina. Retratos, paisajes, y otras imágenes de la nación</em> de Paola Cortés-Rocca (Buenos Aires: Ediciones Colihue, 2011.)
Abstract
Fecundos son los puntos en que la fotografía y la literatura se cruzan, como lo demuestra Paola Cortés-Rocca en su libro elocuente y sugestivo. El tiempo de la máquina. Retratos, paisajes, y otras imágenes de la nación es un “bicho raro”-- —lo digo de la mejor forma--—puesto que parece anunciar un estudio de la fotografía en América Latina, pero que de hecho ofrece mucho más. Diría que la fotografía es tanto un objeto de estudio para Cortés-Rocca como lo es también un dispositivo para entender las prácticas culturales formativas de la modernidad nacional en la región. Es decir, si bien la autora trata la aparición de la fotografía en la región, su eventual instrumentalización en varios proyectos de formación nacional, y las ambigüedades que surgen alrededor de cualquier producción cultural, ella también entiende la fotografía como una herramienta conceptual que organiza su lectura de las prácticas letradas de élite, pues el libro también las considera centralmente.
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