Cine argentino post-dictadura: su recuperación del pasado como creación simbólica del futuro
Keywords:
El Secreto de sus Ojos, Darse cuenta, La Historia Oficial, cine argentino, dictadura militar, macrismoAbstract
Ya en las reflexiones previas puede percibirse que no se trata de una deliberación acerca de filmes o sucesos históricos de manera discontinua, sino del análisis de la interrelación productiva entre la experiencia histórica y las representaciones y construcciones imaginarias con que la cinematografía las re-crea. En este sentido me interesa plantear e investigar el modo en que algunos filmes al contarnos la historia que sucedió la re-articulan de un modo estratégico y transformador. Esta readaptación a un presente amenazante permite implantar un foco de resistencia y esparcir el fuego de la esperanza, en el sentido que lo propusiera Benjamin. Las películas operan sobre el pasado, recreando núcleos referenciales hundidos en el silencio; al intervenir y alterar esos referentes traumáticos no solo cambian el pasado, amplifican, además, las condiciones de posibilidad para modificar el presente y el futuro comunitarios.
El objetivo de este estudio, y lo he venido ejecutando desde la primera línea, es analizar esta reciprocidad entre cine y experiencia socio-histórica y verificar los canales de intercambio entre las dos entidades. Resulta fundamental estudiar el modo en que la sociedad condiciona a la realización fílmica y, concordantemente, el modo en que el filme influye en la transformación de la sociedad. Se trata de un enfoque intersticial que privilegia los puntos de contacto y los efectos recíprocos entre ambas realidades. Desde esta perspectiva resultan privilegiados los aglomerados significativos que permanecen como enunciados atribuibles tanto a la experiencia social como a su representación.
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