Reflexividad y performatividad de los actos de memoria en el cuadragésimo aniversario del Golpe en Chile
Keywords:
Teatralidad, Performatividad, Memoria, DictaduraAbstract
El año 2013, para el cuadragésimo aniversario del golpe militar y de la muerte de Salvador Allende, una miríada de expresiones de teatralidad, buscaron escenificar la/s memoria/s de la dictadura (entendida como un periodo extenso que incluye, por supuesto, el tiempo previo que influyó en su instauración). Sin entrar en consideraciones sobre si éstas surgieron motivadas por afanes mercantiles (la memoria como bien de consumo, en la conceptualización de Idelber Avelar) en un año que, justamente, las memorias (estas memorias) estaban “de moda”, o por verdaderos intentos por discutir y conversar sobre ellas para propulsar su ejercicio (la memoria como agente cultural, según el mismo Avelar), algunas tuvieron una mayor eficacia performativa que otras. Mediante el análisis de varios acontecimientos y obras teatrales, este artículo busca profundizar en las posibles causas de las diferencias en la eficacia performativa de las diversas expresiones de teatralidad sobre la época evocada.
During 2013, for the 40th anniversary of the coup d´Etat in Chile, many different performances that used elements of theatricality, staged the memories of the dictatorship (understood like a wide period that includes the precedent time). Not considering if their origins were motivated by the market (memory as a consumer good, in the conceptualization of Idelber Avelar) in a year that memories (these memories) were “in vogue” or by true attempts for discussing and talking about them to promote their excercise (memory as cultural agent, according to Avelar), some had a greater performative effectiveness than others. Through the analysis of several performances about the time evoked, this article aims to enhance the possible causes of the difference in their performative efectiveness.
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