Espectros y daños colaterales: memorias mediáticas de la invasión estadounidense de Panamá

Authors

  • Emily Davidson Pacific Lutheran University

Keywords:

U.S. invasion of Panama, Memory, Images, Mass media, race, spectres

Abstract

Este artículo presenta un recorrido por los espectros que emergen del archivo iconográfico de la Invasión norteamericana de Panamá de 1989. Partiendo de algunas de las imágenes más icónicas de la pre y post invasión, hasta llegar a su reaparición o borradura en la conmemoración del vigésimo aniversario, busco pistas entre los fantasmas para comprender el olvido de las víctimas. Exploro las narrativas mediáticas de la invasión, de ambos lados del espectro político, que construyen y producen figuras espectrales, entre ellas “maleantes”, “mártires”, cuerpos “cómplices” y “liberadores”. Especulo sobre el efecto de las miradas racializadas o nostálgicas en la recepción de algunas de estas figuras, formas de ver que facilitan el olvido o una comprensión maniquea del pasado. No obstante, reconociendo la función doble del espectro de distorsionar/revelar, propongo que el reencuentro con los fantasmas que surgen de los daños colaterales puede conducirnos hacia una revisión y reparación del pasado traumático.

Author Biography

Emily Davidson, Pacific Lutheran University

Emily F. Davidson es profesora asistente en el Departamento de Lenguas y Literaturas de Pacific Lutheran University en Washington, donde enseña literatura y estudios culturales contemporáneos del Gran Caribe, Centroamérica y de los latinos en los Estados Unidos. Se doctoró en la Universidad de California, Davis en 2013 con la tesis “Canal Memories: Race, Space, and the Construction of Modern Panama”. Colaboró en una edición conmemorativa de la revista The Global South titulada “Interoceanic Diasporas and The Panama Canal’s Centennial”, con el artículo “Among Spectators and Agents of History: Navigating through the Memory Sites of the Panama Canal” (Indiana University Press, 2012). Su investigación examina políticas identitarias y raciales en Panamá en los discursos de memoria y narrativas e historiografía del Canal de Panamá, incluyendo el acontecimiento controversial de la Invasión norteamericana de 1989.
cover winter 2014

Downloads

Published

2014-10-15

How to Cite

Davidson, E. (2014). Espectros y daños colaterales: memorias mediáticas de la invasión estadounidense de Panamá. A Contracorriente: Una Revista De Estudios Latinoamericanos, 12(1), 30–53. Retrieved from https://acontracorriente.chass.ncsu.edu/index.php/acontracorriente/article/view/1296

Issue

Vol. 12 No. 1 (2014): Fall 2014
DOSSIER: The Performance of Archives: Re-imagining Memory and History in Latin America

Section

» Archives and the Local / Global Dispute: Erasures and Disclosures

License

1. Author hereby grants, transfers, and assigns to A Contracorriente:

(a) the exclusive first serial rights in the Work for publication and distribution throughout the world, as A Contracorriente sees fit, in all languages and formats, by print or any electronic means, including, without limitation, the internet, other public and/or private proprietary intranets and computer networks and on CD-ROMs, DVDs and other discs, before the Work shall appear in any other publication (whether print or electronic), in any manner, format or language, or in any other medium now known or hereafter devised. The first serial rights granted to A Contracorriente by this Paragraph 1(a) shall be exclusive to A Contracorriente until one year following the date of the first serial publication of the Work by A Contracorriente; in addition, this grant of rights shall include the non-exclusive right in perpetuity to include the Work in any collection, or compilation produced or authorized by A Contracorriente, and containing at least 75% material that has appeared in A Contracorriente, for distribution throughout the world, in all languages and formats, by print or any electronic means, including, without limitation, the internet and other public and proprietary intranets and computer networks and on CDROMs, DVDs and other discs;

(b) further, the non-exclusive right to authorize, reproduce and distribute reprints of the Work throughout the world, in all languages and formats, by print or any electronic means, after the Work appears in a publication produced or authorized by A Contracorriente; the right to permit subscribers and other users of the services and publications in which the Work may appear electronically to download, reproduce, and otherwise utilize the Work for their personal, non-commercial use throughout the universe; and the non-exclusive perpetual right, throughout the world, to use the Work, in whole or in part, and Author’s name, likeness, or biography in promoting, advertising, and/or publicizing any publication in which the Work is authorized to appear consistent with this Agreement.

2. A Contracorriente reserves the right to publish the Work with illustrations and other graphic materials. Nothing contained herein shall obligate A Contracorriente to exploit any of the rights granted to A Contracorriente hereunder. All rights not granted to A Contracorriente are reserved to Author for Author’s own use and/or transfer, assignment, or disposition.

3. Author represents and warrants: the Work is original to Author, has not been copied in whole or in part, and does not infringe upon the copyright or any other rights of any person or entity; Author has the right to grant the rights granted to A Contracorriente under this Agreement free of any and all claims and encumbrances; Author has not granted or transferred any rights in or to the Work to any third party; and Author has not done and will not do anything that has impaired, might impair or will impair in any way any of the rights granted to A Contracorriente hereunder.

4. Author shall defend, indemnify, and hold harmless the NC State and its employees, agents, affiliates, successors, licensees, and assigns from and against all claims, damages, liabilities, losses, costs, and expenses, including, without limitation, attorney’s fees and costs, arising out of any breach or alleged breach of any of Author’s representations, warranties, or agreements. Any remedies that Author may have against A Contracorriente for breach of this Agreement shall be limited to the right to recover damages, if any, in an action at law. Author hereby waives any right or remedy in equity, including any right to terminate this Agreement, to rescind A Contracorriente’s rights in the Work, or to enjoin, restrain, or otherwise impair in any manner the production or distribution of any publication that is authorized or produced by A Contracorriente.

5. A Contracorriente shall have the right to assign this Agreement, either in whole or in part, to any entity affiliated with A Contracorriente or to any party that acquires all or substantially all of A Contracorriente's assets. Author shall not have the right to further assign any of the rights conferred pursuant to this Agreement, either in whole or in part, or any of the rights granted to Author herein.

6. This Agreement is intended by the parties hereto as the final expression of their understanding with respect to the subject matter herein, as a complete and exclusive statement of the terms herein, and supersedes any and all prior or contemporaneous negotiations, understandings, and agreements between the parties relating thereto.

7. The Agreement may be modified only by a writing signed by both parties to the Agreement. The laws and courts of the State of North Carolina shall govern and control the resolution of any and all conflicts and disputes that may arise hereunder.